NAVARRA LAUREANO LINARES, was born in Monachil (Granada) in the forties. At ten he entered the Insigne internal Sacromonte Granada College to study the Bachelor. As pupil in drawing, his teacher Mr. Merino what started painting and enrolled in the School of Arts and Crafts in Granada, monographs and special courses alternating with their studies. At eighteen, he entered the Spanish Army, to continue the arms race, after several transfers of military status participates in exhibitions and competitions collective paintings, (Madrid, Toledo, Málaga, Almería). Again moved to Viator (Almería) starts new phase of getting to know the artists paint, ENRIQUE IBANEZ Andujar (Moncada School Calvache) and ANTONIO PEREZ MOLINA large plastic art research can certainly be considered as one of the best of the late S. XX of Spain. Of these two masters exerted influence on their education and way of thinking about the art of painting. Again, a Toledo prank, alternating with his military status and his studies of Fine Arts to know great painters and restorers holders of the Cathedral of the Imperial City and the Museum of El Greco completed his studies there. Back in Almería, is selected as a painter of manners in 1989 for a solo exhibit their works on the occasion of the inauguration of the Eurobiblioteca FRANCISCO Villaespesa, with foreign authorities and the world of European policy. Critical success with interviews on National Radio of Spain, COPE, and Canal Sur Television among others and local newspapers. After his third visit to Almería, again travels north of Spain to follow "trained" by remaining in Vitoria (Alava) a season of three years, an experience considered essential in his life as a painter since not only known painters of that land, but moves to the south of France where it permeates the practice of populations, and Nimes, Bayonne, Arles, Biarritz, living the party of Los Toros perspective, knowing the authors of those lands, leaving artistic mark exhibiting his work in Vitoria, Burgos and Bayonne. Laureano is a fan of the classics (VELAZQUEZ, DA VINCI, ALONSO CANO, Titian, JAN V. VERMEER, Mengs, Goya, Ingres, Delacroix etc.) and more contemporary JULIO ROMERO, ANTONIO LOPEZ, Revello de Toro, Picasso and bullfighting, ZULOAGA, ROBERTO DOMINGO, RUANO LLOPIS, ESCACENA, MORATALLA BEARD, CAÑITAS LOPEZ PUENTE, etc.). which matches an old family tradition not in vain family members possess a wild cattle. In any case it is best when define his painting is printed on your shoulders "ENTERS MY PAINTING IN THE BOTTOM OF THE FACT, DISCOVERING THE MAGIC AND THE BEAUTY OF HANDS touched by MAN AND CREATED BY GOD." His work is prolific and include his paintings in private collections and museums military. He currently resides in Aguadulce, Roquetas de Mar, Almería.
Antonio Fernandez Gil. KAIROS
Bachelor of Information. Writer, historian and musician. Member of the Center for Scientific Studies Almerienses. PRESS CRITICISM OF PAINTING .-
Criticism No. 1 .- The painting of Navarra Linares, has all the sincerity and ingenuity of Nayef, who paint themes are always trainable grounds, full of romance and sentiment. THE CHRONICLE OF ALMERIA Rotary. (July 5, 1987). CANO FERNANDO GEA. Degree in journalism. Writer. Art critic and Sacromontano.
Criticism No. 2 .- The painter Laureano Navarre and Linares, versatile man, the music grows and is an expert in Heraldry and Genealogy. The palette of this man, naturally reflects the Andalusian traditional themes, embodying all that he sees on canvas. LUIS VERA. (Journalist and Historian) Rotary. La Voz de Almería (April 1, 1994).
Criticism No. 3 .- The qualities dibujisticas, next to the domain of color, not to mention a strange perspective Navarra distinguish Linares, who recently has been at the forefront of this specialty in our province. Antonio Fernández Gil. KAIROS. Rotary La Voz de Almería (10 OCT.1989)
Criticism No. 4 .- The evolution of his work is ontological notary to the point that I would say that his dedication to the world of bullfighting in the painting has nothing to envy to other painters who have raised this issue and yes, probably teach them many things. Laureano painter gives his work a generous tone of manners in which we often offers some initial human nuances. ALFONSO ROMERO .- (A writer and journalist) Revolving THE CHRONICLE OF ALMERIA (October 18, 1989)
CRITICAL No. 5 .- This painter Granada-Almeria can be considered as an artist in his work reflects the reality more vivid, especially the World of Toro Bravo in all his views, from the bull in the field, to the reality an evening Spanish bulls in any arena. Revolving THE IDEAL. (November 1, 1989) JUAN JOSE Muller. (Journalist and Photographer of EFE).
CRITICAL No. 6 .- The work of Laureano Navarra and Linares, where POSTER TRIBUTE TO THE OPENING OF THE PLAZA DE TOROS DE Roquetas de Mar (Almería) is paraded through the World Bullfighting Taurine International Magazine applause (July 8, 2002). Symbolic masterpiece delicate brush which combines the traditions of a fishing village and farmer, with heraldry symbols adapted to "scoop ART." TRILL TORTOSA. Art Critic. Writer, historian and gallery owner.
Criticism No. 7 .- The allegorical TRIBUTE TO THE SPANISH MILITARY INTERVENTION is a work of singular beauty, where they mix touches of acrobats and Renaissance styles, made with great care by the brush of Don Laureano Navarra and Linares. ANTONIO ORTIZ OCAÑA .- Notary and historian. Member OBULENSES.ORG STUDIES CENTER. OCT.2008
No. 8 .- Critical Look at a picture of Lauren and thick pure color symbolism, the artist attracts a whole assembly of highly emotional social impacts, which largely summarized mode History of Spain watermark. This is a work of art whose power exceed the margin of the many data provided, reconciles us back to the beauty of the canvas, beyond the bloody dilemma that has been tortured for more than a century with modern art. ALLEGORY military intervention. Rotary La Voz de Almería. (13 of February 2008) ANTONIO FERNANDEZ GIL. KAIROS. Bachelor of Science in Information Historian, Musician and Writer. Member of the Center for Scientific Studies Almería.
